Phone Borneo

you're want to buy Mockingjay (The Final Book of The Hunger Games) [Kindle Edition],yes ..! you comes at the right place. you can get special discount for Mockingjay (The Final Book of The Hunger Games) [Kindle Edition].You can choose to buy a product and Mockingjay (The Final Book of The Hunger Games) [Kindle Edition] at the Best Price Online with Secure Transaction Here...





other Customer Rating:



read more Details

Product Description
Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made it out from the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who can they think should pay for the unrest? Katniss. And what's worse, President Snow has managed to get clear that no person else remains safe and secure either. Not Katniss's family, not her friends, not individuals of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to be one in the most brought up books of the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said in the start that The Hunger Games story was intended as a trilogy. Did it actually end the strategies by which you planned it through the beginning?

A: Very much so. While I didnrrrt know every detail, of course, the arc from the story from gladiator game, to revolution, to war, towards the eventual outcome remained constant through the writing process.

Q: We understand you worked for the initial screenplay for a film to get based on The Hunger Games. What may be the biggest distinction between writing a novel and writing a screenplay?

A: There are several significant differences. Time, for starters. If you are adapting a novel in a two-hour movie you cannot take everything with you. The story has being condensed to fit the brand new form. Then there is the question of methods best to adopt the sunday paper told inside first person and present tense and transform it in to a satisfying dramatic experience. In the novel, you never leave Katniss to get a second and therefore are privy to any any of her thoughts so you may need a method to dramatize her inner world and to produce it easy for other characters to exist beyond her company. Finally, you have the challenge of the way to present the violence while still maintaining a PG-13 rating so that your core audience can view it. A great deal of things are acceptable on a page that would not be on a screen. So how certain moments are depicted will ultimately be in the director's hands.

Q: Are you currently able to consider future projects while working on The Hunger Games, or are you immersed within the world you might be currently creating so fully it is just too difficult to consider new ideas?

A: We have a few seeds of ideas floating around inside my head but--given that much of my focus continues to be on The Hunger Games--it will likely be awhile before one fully emerges and I can start to develop it.

Q: The Hunger Games is once a year televised event by which one boy and one girl from each in the twelve districts is instructed to participate in a very fight-to-the-death on live TV. What can you imagine the benefit of reality television is--to both kids and adults?

A: Well, they're often setup as games and, like sporting events, there's an interest in seeing who wins. The contestants are often unknown, which makes them relatable. Sometimes they've very talented people performing. Then there's the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I find very disturbing. There's also the opportunity for desensitizing the audience, to ensure that once they see real tragedy playing out on, say, the news, this doesn't happen hold the impact it should.

Q: If you were forced to compete in the Hunger Games, so what can you believe your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I became trained in sword-fighting, I guess my best hope would be to get hold of your rapier if there were one available. But the facts is I'd probably get of a four in Training.

Q: What does one hope readers will come away with after they read The Hunger Games trilogy?

A: Questions about how precisely elements with the books could possibly be relevant of their own lives. And, if they're disturbing, what you might do about them.

Q: What were some of your favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord with the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in one more Hunger Game, but this time it can be for world control. While it is often a clever twist on the original plot, it indicates that there is certainly less focus around the individual characters and more on political intrigue and large scale destruction. That said, Carolyn McCormick will continue to breathe life in a less vibrant Katniss by showing her despair both at those she feels accountable for killing and possibly at her motives and choices. This is an older, wiser, sadder, and extremely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels and also the victim of President Snow, who uses Peeta to try and control Katniss. Peeta's struggles are well evidenced in the voice, which goes from rage to puzzlement to a unsure return to sweetness. McCormick also makes the secondary characters—some malevolent, others benevolent, and several confused—very real with distinct voices and agendas/concerns. She acts just like an outside chronicler in giving listeners just “the facts” but also respects the individuality and different challenges of each from the main characters. A successful completion of an monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.